On today’s podcast, I give the microphone to Founding and Managing Director, Gabriela Sanchez, Artistic Director, Erlina Ortiz and Resident Director, Asaki Kuruma. Meet Power Street Theatre Company. Coming up, #NewWorldMatriarchy, Womyn of Color Love Slam. This multi-cultural group is unapologetically fierce and brings the community together with themes that are all to familiar. Stay Tuned!
ABOUT POWER STREET THEATRE COMPANY
Power Street Theatre Company (PSTC) is home to a collective of fierce multicultural and multidisciplinary artists dedicated to the mission of empowering marginalized artists and communities of color throughout Philadelphia and beyond.
On today’s podcast, I caught up with Terrell Green whose remount of his one-man show, “Must Go On: A Rite of Passage” kicks off a new year. From, struggles with addiction to yoga sessions, the production takes a look back in an attempt to resonate, educate in a quest to find a safe space. Stay Tuned.
Local Artist Uses Theatre To Create Community Dialogue on the State of Mental Health in the Black LGBTQ Community
Local Artist Terrell M. Green is utilizing theatre in a new and innovative way; as a means to create community conversations about the Black Gay Male experience. Must Go On (#MGO) uses yoga, African-dance influenced movement, spoken word/monologue performance, video projection, and music to examine the health and wellness of Black Gay Men, while fighting for their identities to be accepted. Must Go On: A Rite of Passage, is a one man show, written and performed by Terrell Green. This is it’s third public performance.There will be a post show community conversation explore the direct link between identity inclusion and it’s impact on one’s mental/physical wellness.
Four men of color pull up to a mic and talk diversity, inclusion and race in the Philadelphia Theatre Community. While this is not a complete reflection of our cultural makeup, these voices paint a picture that may not be as clear to all but, are views through a lens that is worth a look. This, I hope, will be the start of many conversations that bring to light the extremely complex mission of a great cultural community as change is demanded and the conversation continues. Today, I am joined by Terrell Green, Ozzie Jones, and Brian Anthony Wilson. Stay Tuned.
On today’s podcast, Philadelphia Theatre Company played host to 6 influential voices who were brought together to discuss Arts Journalism in conjunction with “Mike Daisey’s This Is Not Normal & The End of Journalism”. Stay Tuned!
A panel discussion, moderated by award-winning playwright Jackie Goldfinger, featuring Michael Riedel, New York Post columnist and author of Razzle Dazzle: The Battle for Broadway; John Timpane, Media and Fine Arts Editor for the Philadelphia Inquirer; John Moore, Senior Arts Journalist for Denver Center for the Performing Arts; Chris Jones, Chief Theatre Critic for the Chicago Tribune; and Wendy Rosenfield, Editor-in-Chief for the Broad Street Review.
On today’s podcast, we get to know Theatrical Trainer. Health and wellness are a huge part of everyday life. Of course, we know that the life of an artist can be an adventure. If only there were a team of dedicated artists who understand the plight and has a direct focus on the maintenance required to be a working artist. That is what I sought to find out when I sat down with Theatrical Trainer, a Personal Training Company by Theatre artists, for theatre artists and beyond. With the understanding of be working artists combined with health and wellness practices, all signs point to, let’s find out. So, here’s our interview with Theatrical Trainer at Rep Radio, Studio D, for The Drake. Stay Tuned!
ABOUT THEATRICAL TRAINER
Theatrical Trainer is a theatrical conditioning and In-Home Personal Training company located in Center City, Philadelphia.
With the help and support of our staff at Theatrical Trainer you’ll get personal training in the comfort of your own home or local park and get results without the commitments or expense of a gym/studio. Workouts are fun, challenging, convenient, semi-private/private, affordable and completely safe. Our staff not only provides general personal training, but workshops, movement coaching and choreography as well. We service the theater and film industry, both conditioning actors and providing physical theater training to your cast, educational program or company.
After a long day, I wanted to make this easy. So, a casual conversation about the many “wigs” Dito van Reigersberg wears lightens the mood. During the rehearsal for Buyer & Cellar, Dito had another “Pig Iron” in the fire. Fringe Arts, the artistic overload that welcomes in our theatre season, needed his attention as well. I ask about switching gears and turning the rest off in order to focus on becoming Alex. Of course, he is a professional. Of course, he knows how to do that. But, most theatre lovers see the polished presentation of all the hard work and not always do they get to hear about the process. Stay Tuned.
ABOUT BUYER & CELLAR
Just fired from a stint working at a California theme park (mouse ears, anyone?), Alex More is an underemployed actor looking for a new gig when, out of the blue, the biggest piece of theatre in the world just happens to find him.
On today’s podcast, we meet Almanac, an interdisciplinary theatre group whose production of “Leaps of Faith and Other Mistakes” runs through Fringe Arts at the Painted Bride Arts Center. I have been aware of Almanac for a while now, often in the building they are performing in for another production. Now, we get a chance to find out more about their work, process, practices and inspirations. Stay Tuned!
ABOUT LEAPS OF FAITH AND OTHER MISTAKES
From the company behind Exile 2588 comes a re-envisioning of Almanac’s acclaimed tale of sublime human idiocy, isolationist seafarer cults, & the absurdity of believing too hard. Breathtaking acrobatics & earnest theatricality combine with brand new live music. What do people do when they find themselves lost at sea?
On today’s podcast, I met with Kash Goins whose GoKash OnSTAGE is in residency at Arden Theatre Company. Following his work over the years, it was great to chat with him about the production, “Seventy IV seconds…to judgement”, the second installment of his justice series.
ABOUT “SEVENTY IV seconds…to judgement”
What is “Justifiable Homicide”? What roles do paranoia, race, and fear play in a split decision to kill? Should social class, personal histories, or individual assumptions factor into a months’ long evaluation of justice? Is there enough space for the application of law in a killing which takes seconds to commit? Who are we, who decide? How are we to decide?
In the next installment of his justice series, “Seventy IV Seconds… to judgment”, Kash Goins introduces us to a jury of 6 who have been deadlocked for over a week. In an attempt to uncover the truth buried in the facts as presented in the case, the youngest juror who is not much different from a central figure in the killing, offers a unique tactic. An exercise purposed to move the jury beyond feelings which are buried beneath the cover of what they’ve come to accept as their personal truths. To be heard. To listen. To process the law as instructed.
On today’s podcast, Dany Guy talks about his time at Interact Theatre Company as Director of Operations as he begins to transition into his new role as Managing Director of 11th Hour Theatre Company. From Intern to Director, Dany’s growth is similar and so valuable to our community and that is why we gave him time to talk about it.
ABOUT DANY GUY
Hails from Massachusetts and started with InterAct as a production intern for the 2009/2010 season. As an intern, he assistant stage-managed the Barrymore-nominated production of Lee Blessing’s WHEN WE GO UPON THE SEA, which was moved Off-Broadway to 59E59 Theatre. This is his 7th season working with InterAct. Other Philadelphia credits include: Tribe of Fools ZOMBIES…WITH GUNS!, TWO STREET, ANTIHERO, SHUT YOUR WORMHOLE, HEAVY METAL DANCE FAG (Production Manager) and DRACULA (Stage Manager); Shakespeare in Clark Park: WINTER’S TALE (Production Manager); Simpatico Theatre Project THE AMISH PROJECT (Lighting Designer), THE LYSISTRATA PROJECT, A BRIGHT NEW BOISE, THE BLACK MONK, THE MEEP PROJECT (Production Manager); Enchantment Theater Company’s THE VELVETEEN RABBIT national tour and HAROLD AND THE PURPLE CRAYON (rehearsal A.S.M. and A.D.). He currently serves on the board of Tribe of Fools and as a Barrymore Nominator. Daniel graduated from Muhlenberg College in 2008 and recently received his M.S. in Arts Administration in June from the Drexel University Westphal College of Media Arts & Design, where he was the 2014 recipient of the Karen Murdoch Scholarship for Visionary Leadership in the Arts.