On today’s podcast, we meet Almanac, an interdisciplinary theatre group whose production of “Leaps of Faith and Other Mistakes” runs through Fringe Arts at the Painted Bride Arts Center. I have been aware of Almanac for a while now, often in the building they are performing in for another production. Now, we get a chance to find out more about their work, process, practices and inspirations. Stay Tuned!
ABOUT LEAPS OF FAITH AND OTHER MISTAKES
From the company behind Exile 2588 comes a re-envisioning of Almanac’s acclaimed tale of sublime human idiocy, isolationist seafarer cults, & the absurdity of believing too hard. Breathtaking acrobatics & earnest theatricality combine with brand new live music. What do people do when they find themselves lost at sea?
On today’s podcast, I met with Kash Goins whose GoKash OnSTAGE is in residency at Arden Theatre Company. Following his work over the years, it was great to chat with him about the production, “Seventy IV seconds…to judgement”, the second installment of his justice series.
ABOUT “SEVENTY IV seconds…to judgement”
What is “Justifiable Homicide”? What roles do paranoia, race, and fear play in a split decision to kill? Should social class, personal histories, or individual assumptions factor into a months’ long evaluation of justice? Is there enough space for the application of law in a killing which takes seconds to commit? Who are we, who decide? How are we to decide?
In the next installment of his justice series, “Seventy IV Seconds… to judgment”, Kash Goins introduces us to a jury of 6 who have been deadlocked for over a week. In an attempt to uncover the truth buried in the facts as presented in the case, the youngest juror who is not much different from a central figure in the killing, offers a unique tactic. An exercise purposed to move the jury beyond feelings which are buried beneath the cover of what they’ve come to accept as their personal truths. To be heard. To listen. To process the law as instructed.
On today’s podcast, Dany Guy talks about his time at Interact Theatre Company as Director of Operations as he begins to transition into his new role as Managing Director of 11th Hour Theatre Company. From Intern to Director, Dany’s growth is similar and so valuable to our community and that is why we gave him time to talk about it.
ABOUT DANY GUY
Hails from Massachusetts and started with InterAct as a production intern for the 2009/2010 season. As an intern, he assistant stage-managed the Barrymore-nominated production of Lee Blessing’s WHEN WE GO UPON THE SEA, which was moved Off-Broadway to 59E59 Theatre. This is his 7th season working with InterAct. Other Philadelphia credits include: Tribe of Fools ZOMBIES…WITH GUNS!, TWO STREET, ANTIHERO, SHUT YOUR WORMHOLE, HEAVY METAL DANCE FAG (Production Manager) and DRACULA (Stage Manager); Shakespeare in Clark Park: WINTER’S TALE (Production Manager); Simpatico Theatre Project THE AMISH PROJECT (Lighting Designer), THE LYSISTRATA PROJECT, A BRIGHT NEW BOISE, THE BLACK MONK, THE MEEP PROJECT (Production Manager); Enchantment Theater Company’s THE VELVETEEN RABBIT national tour and HAROLD AND THE PURPLE CRAYON (rehearsal A.S.M. and A.D.). He currently serves on the board of Tribe of Fools and as a Barrymore Nominator. Daniel graduated from Muhlenberg College in 2008 and recently received his M.S. in Arts Administration in June from the Drexel University Westphal College of Media Arts & Design, where he was the 2014 recipient of the Karen Murdoch Scholarship for Visionary Leadership in the Arts.
On today’s podcast, I touch base with John Orr, Executive Director of Art-Reach. After the “Arts Funding Panel: Who Should Pay?”, I realized that we have known each other for 17 years and John’s path that lead to Art-Reach is an interesting one. We talk about Art-Reach’s mission and goals as well as the accessibility opportunities of our cultural community.
Art-Reach creates, advocates for and expands accessible opportunities in the arts so the full spectrum of society is served. Art-Reach works with the cultural community to ensure that opportunity exists for all people, and in doing so we will lift Philadelphia up to become a national model for cultural accessibility.